Hunter Schafer stopped by The Tonight Show Starring Jimmy Fallon to talk about the new episode of Euphoria focused on her character Jules. She also talked about driving across the country in her new truck and taking Shonda Rhimes’ MasterClass. You can check out photos in the gallery and watch the interview below!
Hunter Schafer was photographed for W’s 2020 TV Portfolio, where she paid homage to one of her favorite animes Neon Genesis Evangelion. During the interview, she talked about being creative during quarantine, Euphoria, her favorite TV shows and much more. You can check out the photoshoot in our gallery and read the full interview in our press library!
Hunter Schafer might have experienced one of the most productive quarantines you’ll hear about. In the beginning, she spent nearly two months locked in her apartment in Los Angeles writing, painting, and creating storyboards nonstop. We’re talking day and night. Then she purchased a truck and drove it from California to North Carolina, where her sister lives. It’s also possible that, somewhere in there, she worked on Euphoria, the HBO show in which she plays Jules, the charming best friend and love interest of Zendaya, whose character is named Rue. Euphoria can be described as nothing short of a sensation: When it debuted, in June 2019, HBO’s audience numbers increased by 130 percent within four days of the premiere of the first episode due to replays and streaming. Although Zendaya-as-Rue was certainly central to the show’s appeal, Schafer’s Jules emerged as an equally intriguing person in creator Sam Levinson’s universe: a transgender teenage girl searching for friendship and recognition while engaging in a series of trysts with older men.
But if Schafer did any work on Euphoria in the past six months, the world won’t find out just yet—the start date for production on season 2 is still unknown, and when the 21-year-old actress calls from a hotel in L.A. (she’s allowing a friend who doesn’t have air conditioning to stay in her home during a particularly inhumane heat wave), she won’t spill any information.
Instead, she shares the details of her artistic process: how she played the anime Neon Genesis Evangelion in the background on her projector with the sound off while she painted; her father’s obsession with comic books, which led to her own interest in Hawkwoman and the Green Lantern. Mostly, quarantine was a time of exploration for Schafer—whether physically, when driving in a car, or artistically, while sliding a fat marker across a piece of paper. “I don’t know if my style of drawing or artwork would be considered anime,” she said. “I don’t really know what to call it. It’s kind of become its own thing.”
Hunter Schafer is on the cover of the September issue of Allure Magazine, where she announced her partnership with Shiseido! You can read the full interview in our press library and check out photos in the gallery.
Hunter Schafer recently saw something magnificent.
But first: She bought a truck.
At the onset of the coronavirus pandemic, Schafer found herself alone in Los Angeles. As one of the lucky Americans who could afford the pause in work, she spent those initial weeks in excited, nocturnal bursts of creative writing. (She took Shonda Rhimes’s TV-writing course on Masterclass.) “But I couldn’t handle the severe sense of isolation — being alone in the apartment and having no mode of transportation,” she says. (“Outside of a skateboard,” she adds, like a cool teen.)
So she bought the truck, and then drove across the nation to her sister’s house in North Carolina. “It was probably the most stable I felt throughout all of quarantine,” Schafer says. “I just had one objective, which [was] stay on the road and follow the map and drive. And it was great.”
She drove through Arizona to see the preschool she attended. She stopped in Memphis to visit the Lorraine Motel, the place where Martin Luther King Jr. was assassinated that has since been converted into the National Civil Rights Museum. But she was in Texas when, on a road that stretched through open country dotted with windmills, she saw it: a very big, bad cloud. It was a fluffy tempest, as vast as a city, crawling across a sea of grass. It was a cumulonimbus cloud. Schafer is sure of it; a cloud cooked by the hot Texas wind into something magnificent, terrifying, and massive, and capable of sneezing out a devastating tornado at random. This is all an extended metaphor to say that Schafer knows what it is like to drive right into the eye of a storm.
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